| 庄子丑学与西方现代派丑学之异同 |
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| 引用本文： | 欧阳丹丹.庄子丑学与西方现代派丑学之异同[J].安徽师范大学学报(人文社会科学版),2009,37(1). |
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| 作者姓名： | 欧阳丹丹 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241003 |
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| 摘 要： | 庄子是中国美学史上较早确立丑意识、丑范畴的思想家;西方现代派使西方丑学得以确立,并使西方感性学由以美为第一范畴转化为以丑为核心范畴.二者之异同大致可以归纳为四个方面:大相径庭的表现手法;殊途同归的"化丑为美";异曲同工的"异化"观;情志各异的白日梦.庄子丑学与西方现代派丑学差异的根源在于中华民族在思想上相对于西方的"早熟".站在人文理念的高度来看,中西丑学又同质异构.
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| 关 键 词： | 庄子 西方现代派 丑学 |
Similarities and Differences of Aesthetics of "the Ugly" Between Zhuangzi and Western Modernist |
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| OUYANG Dan-dan.Similarities and Differences of Aesthetics of "the Ugly" Between Zhuangzi and Western Modernist[J].Journal of Anhui Normal University(Humanities and Social Sciences),2009,37(1). |
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| Authors: | OUYANG Dan-dan |
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| Institution: | School of Chinese language and Literature;Anhui Normal University;Wuhu Anhui 241003;China |
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| Abstract: | Zhuang-zi is a thinker who early established the consciousness and category of the ugly in the Chinese aesthetical history;The western modernist established the western aesthetical study on "the ugly",and transformed from taking the beauty as the first category to taking the ugly as the core category in the western aesthetics.We can induce the similarities and differences between the two in four aspects: widely divergent expression,turning ugly into beautiful by different routes,disassimilation by different... |
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| Keywords: | Zhuang-zi western modernist aesthetics of "the ugly" |
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