| 论<四体书势>中势的生命意蕴 |
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| 引用本文： | 杜绣琳.论<四体书势>中势的生命意蕴[J].鞍山师范学院学报,2002,4(2):49-51. |
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| 作者姓名： | 杜绣琳 |
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| 作者单位： | 鞍山师范学院,中文系,辽宁,鞍山,114005 |
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| 摘 要： | 作为一个美学范畴的势,在中国古代的各个艺术门类中都有着广泛的运用,它包蕴着极为丰厚的意蕴,我们以西晋时的书法理论著作<四体书势>为切入点,通过对"势"这一范畴基本属性的分析来探求这一美学范畴的产生根源.我们认为在中国古代,"势"之所以受到各种艺术的钟爱,就在于它根植于我国古代天人合一,万物有灵的生命哲学观,体现了中国古代先民对生命之美的最深切的感悟.
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| 关 键 词： | 势 力 生命意蕴 |
| 文章编号： | 1008-2441(2002)02-0049-03 |
| 修稿时间： | 2001年9月12日 |
The Analysis about the Life Connotation of Shi from Si Ti Shushi |
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| DU Xiu,lin.The Analysis about the Life Connotation of Shi from Si Ti Shushi[J].Journal of Anshan Teachers College,2002,4(2):49-51. |
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| Authors: | DU Xiu lin |
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| Abstract: | As an aesthostic category,the Shi has extensive application in the art classes in ancient age.It also indudes extremely abundant connotation.Take Jin Dynasty's handwritting theory works Si Ti Shu Shi as the entrance,through the analysis about the aesthstic categorieses of the works.The article seeks Shi's origin.We believe that the reason of Si Ti Shu Shi cherised lies in its theory.The theory is based on the theory that everying have their own spirit and man is a part of nature. |
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| Keywords: | Shi Strength Life connotation |
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