| 《文心雕龙》创作论三题 |
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| 引用本文： | 李金坤.《文心雕龙》创作论三题[J].山西大学师范学院学报,2008(3):77-83. |
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| 作者姓名： | 李金坤 |
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| 作者单位： | 江苏大学人文学院,江苏镇江212013 |
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| 基金项目： | 江苏大学人文社科重点建设项目：《镇江地域历史文化研究》（JDR2006A05） |
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| 摘 要： | 刘勰结合列于《文心雕龙》总论的《辨骚》篇及其有关篇章，以屈原《离骚》等楚辞为典范，提出了文学创作中“执正驭奇”的“奇正”美学观，“酌奇而不失其正，玩华而不坠其实”的内容与形式的统一观，以及“取熔经意，自铸伟辞”的继承与创新的结合观，确立了文学创作的基本原则，具有重大理论价值与方法论意义。
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| 关 键 词： | 刘勰 文心雕龙 辨骚 奇正 华实 熔铸 |
~ Three Points on Literary Theory by The Literary Heart and the Carving of Cragons |
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| LI Jin-kun.~ Three Points on Literary Theory by The Literary Heart and the Carving of Cragons[J].Journal of Teachers College of Shanxi University,2008(3):77-83. |
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| Authors: | LI Jin-kun |
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| Institution: | LI Jin-kun (Humanity Institute, Jiangsu University, Zhenfia 212013, China) |
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| Abstract: | By ＂Remark on Lisao＂ and relevant chapters listed in the pandect of ＂The Literary Heart and the Carving of Cragons＂ and taking ＂Lisao＂ and other ci-poems by Qu Yuan as apotheosis , Liu Xie raised the aesthetic view of ＂Qizheng＂ or ＂holding the main essence over the odd＂ in literary creation works, and the unified view of content and form, ＂enjoying the odd but not losing its main essence, the flourishing not covering the essence＂, and the combination view of inheritance and innovation, ＂taking and merging the classical meaning to cast one＇s own significant words＂. This has established the basic principles in literary creation with theoretic value and methodological significance. |
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| Keywords: | Liu Xie ＂The Literary Heart and the Carving of Cragons＂ ＂Remark on Lisao＂ ＂Qizheng＂ flourishing and essence cast |
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