| 试析后现代艺术对形式美的叛离 |
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| 引用本文： | 李宾.试析后现代艺术对形式美的叛离[J].安徽师范大学学报(人文社会科学版),2000,28(4):578-580. |
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| 作者姓名： | 李宾 |
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| 作者单位： | 滁州师范专科学校美术系,安徽滁州 239012 |
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| 摘 要： | 后现代主义发端于英国 ,盛行于美国 ,遍及欧洲。它是现代主义的逆反。现代主义艺术服从形式美的法则 ,宣扬抽象主义 ,提倡个人风格 ;后现代主义艺术则否定形式美的法则 ,反对抽象主义 ,取消人个风格。提倡艺术即生活 ,一切皆艺术 ,人人都是艺术家 ,现成品即艺术品 ,艺术与非艺术没有界限。这种泛艺术化的论调 ,必然导致真正的艺术的取消。
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| 关 键 词： | 现代主义 后现代主义 形式美 波普 现成品 |
| 文章编号： | 1001-2435(2000)04-0578-03 |
| 修稿时间： | 2000年6月28日 |
Tentative study of the deviation of Post-Modernism from Aesthetic formality |
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| LI Bin.Tentative study of the deviation of Post-Modernism from Aesthetic formality[J].Journal of Anhui Normal University(Humanities and Social Sciences),2000,28(4):578-580. |
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| Authors: | LI Bin |
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| Abstract: | Post-modernism originated in England and prevailed in America as well as in Europe. It is the rebellion of modernism. Modernistic art follows the rules of aesthetic formality -- to advocate abstractism, individualism; while post-modernism denies the rules of aesthetic formality, opposing abstractism, eliminating individualism. Instead, it advocates that art is life itself, everything is art, everybody is an artist, and that ready-made works are works of art. There is no boundary between art and non-art. Such over-popularization of art will lead to the elimination of the true art. |
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| Keywords: | modernism post-modernism aesthetic formality Popper ready-made wo| |
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