| 简论佛学对皎然诗学的影响 |
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| 引用本文： | 姜光斗.简论佛学对皎然诗学的影响[J].湖州师范学院学报,2003,25(1):26-29. |
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| 作者姓名： | 姜光斗 |
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| 作者单位： | 南通师范学院,中文系,江苏,南通,226007 |
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| 摘 要： | 皎然为唐代最著名的诗僧,他的《诗式》、《诗议》、《诗评》是唐代理论色彩最强的诗学著作,他最早提出“意境”的诗歌美学范畴,在中国诗歌理论的建设方面,贡献特大。皎然诗学受到了佛学多方面的影响。皎然诗学中的“闲静论”、“难以言传论”,明显受到佛学的影响;皎然诗学在方法论上,颇有辩证色彩,这也得力于佛学的“中道观”。
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| 关 键 词： | 皎然 诗学 佛学 意境 闲静 难以言传 辩证色彩 |
| 文章编号： | 1009-1734(2003)01-0026-04 |
| 修稿时间： | 2002年1月28日 |
The Influence of Buddhism on Jiao Ran's Poetics |
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| JIANG Guang-dou.The Influence of Buddhism on Jiao Ran's Poetics[J].Journal of Huzhou Teachers College,2003,25(1):26-29. |
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| Authors: | JIANG Guang-dou |
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| Abstract: | Jiao Ran was the most famous Buddhist poet in Tang Dynasty. He made the greatest contribution to the Chinese poetics, putting forward earlier than anyone else the artistic conception in the area of poetic aesthetics, with his publications such as The Mode of Poetry,Poetics,Critical Review of Poems at the highest theoretical level in Tang Dynasty. The wide influence of Buddhism on Jiao Ran's poetics resulted in his "leisure theory","ineffability theory"and his dialectic methodology in poetics derived from Buddhist"juste milieu". |
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| Keywords: | Jiao Ran poetics Buddhism artistic conception leisure ineffability dialectical coloring |
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