| 论《蝴蝶梦》中的两性关系模式 |
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| 引用本文： | 柴鲜.论《蝴蝶梦》中的两性关系模式[J].商洛学院学报,2012,26(3):51-57. |
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| 作者姓名： | 柴鲜 |
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| 作者单位： | 商洛学院中文系,陕西商洛,726000 |
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| 基金项目： | 陕西省教育厅专项科研计划项目 |
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| 摘 要： | 《蝴蝶梦》以“灰姑娘”模式把女主人公“我”被动引入男性生活世界，实际却沿袭将男性主人公作为环境因素引入女性世界的女性写作传统，“我”不仅具有显性的故事叙述者身份，也是整部小说的中心人物。作品中。以“我”与其他人物之间的社会伦理关系展现复杂交错的两性关系境遇，围绕符合父权制文化传统的“我”，揭示男女之间顺从、对抗或背离的关系状态。以“我”屈从、依附的被动身份向反抗、被依赖的主动身份转变，消解男权话语对女性单向控制的可能性，曲折传达作者对男女之间永远无法真正理解和沟通的两性关系观。
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| 关 键 词： | 《蝴蝶梦》 “我” 伦理身份 “灰姑娘”模式 两性关系 |
On the Mode of Gender Relations in Rebecca |
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| CHAI Xian.On the Mode of Gender Relations in Rebecca[J].Journal of Shangluo University,2012,26(3):51-57. |
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| Authors: | CHAI Xian |
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| Institution: | CHAI Xian(Chinese Department of Shangluo University,Shangluo,Shaanxi 726000) |
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| Abstract: | Initiative was taken in Rebecca to introduce the heroine into the male life-word in a Cinderella way.The fiction has really followed the female tradition that the hero as the environmental factor was introduced to the women’s world."I",the identity of evident narrator in the story,is also the central figure throughout the novel.The social ethics relationships between the "I" and the other characters showed the complexity of the situation of gender relations,building around the heroine who is compliant with the traditional patriarchal culture,revealed a different of relational state such as compliance,confrontation,or deviation.A shift of status from the passive role to the active host was to dispel the possibility that the patriarchal discourse on the female of one-way control,expressed tortuously the author’s point of gender relations that can never truly understand between man and woman. |
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| Keywords: | Rebecca 'I' the ethical identity Cinderella mode the gender relations |
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