| 神话意识与《水浒传》的创作 |
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| 引用本文： | 王振星.神话意识与《水浒传》的创作[J].济宁师范专科学校学报,2005,26(4):66-69. |
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| 作者姓名： | 王振星 |
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| 作者单位： | 济宁师范专科学校中文系,山东济宁272000 |
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| 摘 要： | 摘要：神话是原始文化的综合表现,神话的文学化对中国古典小说的创作起着一种潜移默化作用。石头神话与玄女神话不仅对《水浒传》的主题倾向、好汉们的思想行为起着内在的规定性,而且在结构上使全书最大限度地保持着内在的稳定性与统一性。
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| 关 键 词： | 神话意识 石头神话 玄女神话 水浒传 |
| 文章编号： | 1004-1877（2005）04-0066-04 |
| 收稿时间： | 2005-03-14 |
| 修稿时间： | 2005年3月14日 |
The Mythical ConsciQousnessand the Creationof "the Water Margin " |
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| Wang ZheXing.The Mythical ConsciQousnessand the Creationof "the Water Margin "[J].Journal of Jining Teachers College,2005,26(4):66-69. |
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| Authors: | Wang ZheXing |
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| Abstract: | Mythology is the comprehensive behavior of primitive culture. Mythicalliterature exerts an imperceptible influence on the creation of China classical novels.Stone Xuannu mythology not only stipulated the theme, thoughts and behavior of the heroes of "the Water Margin " but also made the novel keep inherent stability and unity maximally on the structure. |
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| Keywords: | Keywords: stone mythology Xuannu mythology "The Water Margin" theme structure |
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