| 精神自渎：“禁欲主义理念”的戏子？ |
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| 引用本文： | 姜振华.精神自渎：“禁欲主义理念”的戏子？[J].郧阳师范高等专科学校学报,2009,29(2):41-44. |
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| 作者姓名： | 姜振华 |
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| 作者单位： | 武汉大学,文学院,湖北,武汉,430072 |
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| 摘 要： | 精神自渎现象是陀思妥耶夫斯基的小说始终关注的对象。所谓“精神自渎”,就是精神上的自我亵渎．具体表现为精神上自我蔑视．自我折磨和自我嘲笑，并且在这种自轻自贱中体验到一种难以言传的快感。精神白渎现象本身就是一个悻论，陀思妥耶夫斯基通过对话性、表演性和有“透气孔”的语言,使精神自渎者们成为尼采所谓“禁欲主义理念”的模仿和戏拟，而这种表演和模仿禁欲主义观念自身进行了彻底的解构。
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| 关 键 词： | 陀思妥耶夫斯基 精神自渎 禁欲主义 |
Spirit Self-profanity, the Player of Asceticism |
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| JIANG Zhen-hua.Spirit Self-profanity, the Player of Asceticism[J].Journal of Yunyang Teachers College,2009,29(2):41-44. |
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| Authors: | JIANG Zhen-hua |
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| Institution: | JIANG Zhen- hua (School of Literature, Wuhan University, Wuhan 430072, China) |
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| Abstract: | Spirit self--profanity is the phenomenon which the novels of Fyodor Mikhailovich Dostoevsky always pay attention. Spirit self--profanity is the self--profanity in spirit, which demonstrates in self--flouting, self--torturing and self--laughing in spirit, then to get some unspokenable happiness in the experience. The phenomenon of spirit self--profanity is a paradox in itself. Fyodor Mikhailovich Dostoevsky has, by way of dialogue, performing and permeable language, made the men of spirit self--profanity the imitators and players of Nietzsche＇s asceticism, and then made a complete deconstruetion to asceticism. |
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| Keywords: | Fyodor Mikhailovich Dostoevsky spirit self--profanity asceticism |
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