| 《淮南子》对先秦“大美”之境的发展 |
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| 引用本文： | 马艳.《淮南子》对先秦“大美”之境的发展[J].广东广播电视大学学报,2011,20(6):81-84. |
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| 作者姓名： | 马艳 |
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| 作者单位： | 广东理工职业学院,广东广州,510091 |
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| 摘 要： | 《淮南子》全书以道家思想为主导，兼采各家学说所长，在论述哲学和治国理论的过程中继承发扬先秦诸子的审美观，充分体现汉初美学道儒杂糅、重情尚用的时代特征。“道事合一”哲学观影响下的《淮南子》，形成了宽容并汇、“大浑为一”的审美对象，将先秦儒道推崇、追求的“大美”从注重个体人格精神的升华转向关注现实人生，并分别从审美形态、观照视野、审美体验、彰显人的本质力量等方面，给老庄“大美”注入新的美学意蕴。
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| 关 键 词： | 淮南子 道事合一 大美 |
A Discussion of Changes of Super Beauty based on Huai Nanzi |
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| MA Yan.A Discussion of Changes of Super Beauty based on Huai Nanzi[J].Journal of Guangdong Radio & Television University,2011,20(6):81-84. |
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| Authors: | MA Yan |
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| Institution: | MA Yan (Guangdong Polytechnic Institute,Guangzhou,Guangdong,China,510091) |
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| Abstract: | Huai Nanzi is guided by Taoism and it has also adopted some thoughts from Zhuzi Theory. In the course of dealing with philosophical, social and political thoughts, it has promoted the aesthetics of the pre---Qin schools. The content of this book fully reflects the aesthetic characteristics of the early Han Dynasty. Under the influence of＂Tao and world in one＂, Nanzi Huai forms the aesthetic object of tolerance and exchange; it has also changed the ＂super beauty＂ concept, which focuses on the spirit of the sublimation of individual personality, and analyzes the aesthetic objects, contemplation of visions, aesthetic experiences, etc. The changes shed a new aesthetic implication into the ＂super beauty＂ideology. |
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| Keywords: | Nanzi Huai Tao and world in one super beauty |
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