| 扭曲压抑 爱恨情仇——歌剧《原野》的音乐创作特征分析 |
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| 引用本文： | 徐文正.扭曲压抑 爱恨情仇——歌剧《原野》的音乐创作特征分析[J].衡水学院学报,2014(3):102-108. |
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| 作者姓名： | 徐文正 |
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| 作者单位： | 衡水学院音乐学院,河北衡水053000 |
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| 基金项目： | 教育部人文社会科学研究规划基金项目（13YJA760055） |
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| 摘 要： | 著名作曲家金湘1987年创作的歌剧《原野》的音乐创作以人物为出发点,戏剧性呈现为手段,在主题设计、和声及配器等方面都进行了大胆的探索,既汲取了欧洲大歌剧的表现方式,又融入中国传统文化的元素,具有很强的戏剧性、民族性及时代性,深刻揭示了剧中人性的扭曲压抑、爱恨情仇。
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| 关 键 词： | 歌剧 《原野》 音乐创作 主题 和声 配器 |
Contortion,Repression, Love and Hatred in Savage Land： An Analysis of Its Creation Features |
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| XU Wen-zheng.Contortion,Repression, Love and Hatred in Savage Land： An Analysis of Its Creation Features[J].Journal of Hengshui University,2014(3):102-108. |
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| Authors: | XU Wen-zheng |
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| Institution: | XU Wen-zheng (College of Music, Hengshui University, Henghsui, Heibei 053000, China) |
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| Abstract: | The opera Savage Land created by the famous composer, Jing Xiang in 1978 is a profound revelation of humanistic contortion, repression, love and hate. With dramatic presentation as its means, it starts with figures and proceeds dauntless exploration in thematic design, harmony and Orchestration. It has not only absorbed the manifestation mode of the grand opera in Europe but also integrated traditional Chinese cultural factors. It shows strong theatricality as well as national and epochal character. |
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| Keywords: | opera Savage Land musical creation theme harmony orchestration |
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