| 从"格式塔"看装饰艺术与艺术的关系 |
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| 引用本文： | 李隽.从"格式塔"看装饰艺术与艺术的关系[J].绵阳师范学院学报,2005,24(4):104-106. |
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| 作者姓名： | 李隽 |
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| 作者单位： | 绵阳师范学院美术系,四川,绵阳,621000 |
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| 摘 要： | 19世纪以前，装饰艺术与艺术之间并没有一条泾渭分明的界限。历史上许多著名画家包括拉斐尔和弗拉戈纳尔在内，都从事过装饰艺术的创作。在传统观念里，装饰艺术不过是指以手工制作的或生产数量有限的奢侈品。1791年西方才第一次使用“装饰”一词。19世纪的装饰艺术常用来泛指机器生产的小型艺术品和用于物品表面的艺术装饰，以后又被视为廉价产品生产的一个要素。现在，装饰艺术家既设计大批量的产品，也用手工方式制作个别的产品。可以说，只有到19世纪末20世纪初，装饰艺术与艺术的区分才明朗化。但富有戏剧性的是，近几十年来，许多艺术家通过装饰艺术作品参与当代艺术问题的讨论，结果使装饰艺术与艺术的界限又变得难以明确划分了。文章应用格式塔心理学来讨论二者的关系。
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| 关 键 词： | 格式塔 艺术 装饰艺术 |
| 文章编号： | 1672-612x(2005)04-0104-03 |
| 收稿时间： | 05 22 2005 12:00AM |
| 修稿时间： | 2005年5月22日 |
On Relationship between Decoration Art and Arts |
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| LI Jun.On Relationship between Decoration Art and Arts[J].Journal of Mianyang Normal University,2005,24(4):104-106. |
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| Authors: | LI Jun |
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| Institution: | Department of Arts, Mianyang Normal University, Mianyang Sichuan 621000 |
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| Abstract: | There was not a clearly - defined boundary between arts and the art of decoration before the 19th century. Traditionally, the art of decoration refers to those limited hand- made luxuries. In the 19th century, the art of decoration tended to the manufacturing of those mini - artifacts and decorations that were used on the surface of the projects by the machines, which were then regarded as the main factor of making cheap products. Nowadays, the artists in decorations produce things in batches as well as making individual matters by their hands. Itg said not until the 19th century did the distinctions between arts and the art of decoration become clarified. While dramatically, in the recent decades, many an artist have taken part in the discussion of arts by ways of their demonstration of artifacts of decorations. As a result, it makes more difficult to distinguish arts from the art of decoration. |
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| Keywords: | Arts Decoration art |
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