| 试论山水画的运笔用墨 |
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| 引用本文： | 邢瑞香.试论山水画的运笔用墨[J].山西广播电视大学学报,2012(4):57-59. |
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| 作者姓名： | 邢瑞香 |
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| 作者单位： | 晋中师范高等专科学校 |
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| 摘 要： | 运笔用墨是山水画的基本功，笔墨是再现客观山水形象，再现自然的，笔是形、墨是色，以形传神、形神兼备，在笔墨中充满了朴素的辩证法，是人的主观性与客观事物规律的辩证统一，笔墨使画家在实践中所感受的情意为基质，通过笔墨运用进行描绘对象的性格和生命。同时在今后的实践中发现、摸索，发展创造出新的笔墨。
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| 关 键 词： | 山水画 运笔 用墨 |
Discussion on the Handling of Brush and Chinese Ink in Landscape Painting |
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| Xing Ruixiang.Discussion on the Handling of Brush and Chinese Ink in Landscape Painting[J].Journal of Shanxi Radio & Tv University,2012(4):57-59. |
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| Authors: | Xing Ruixiang |
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| Institution: | Xing Ruixiang(Jinzhong Teachers College,Yuci,Shanxi,030600) |
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| Abstract: | The handling of brush and Chinese ink is the basic skill of landscape painting. Brush and Chinese ink reproduces the image of the objective landscape and nature. Brush depicts the appearance and Chinese ink embodies the color with the spirit being conveyed by appearance and both of the appearance and spirit. The skill of handling the brush and Chinese ink is full of the simple dialectics and unifies peoples subjectivity and the law of the objective things. The Brush and Chinese ink are the basis of painters ＇feelings in practice, and the characters and life of the objects are portrayed by handling the brush and Chinese ink. The new skills will be found, explored and developed in practice in the future. |
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| Keywords: | landscape painting handling of brush handling of Chinese ink |
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