| 嵇康之"心"的美学意蕴 |
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| 引用本文： | 李昌舒.嵇康之"心"的美学意蕴[J].安徽师范大学学报(人文社会科学版),2006,34(1):99-103. |
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| 作者姓名： | 李昌舒 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 基金项目： | 国家社会科学基金资助项目（05CZX024） |
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| 摘 要： | “心”是嵇康思想的一个重要概念。所谓“越名教而任自然”可以理解为“越名任心”，任“心”而为即可有精神之自由。嵇康之“心”具有丰富的美学意蕴。概括而言，主要体现在三方面：超越，自然，自由。具体而言，主要体现于三个概念中：清、远、逸。嵇康关于“心”的思想对于意境的形成具有重要意义。
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| 关 键 词： | 嵇康 心 美学意蕴 |
| 文章编号： | 1001-2435（2006）01-0099-05 |
| 收稿时间： | 2005-05-25 |
| 修稿时间： | 2005-05-25 |
Aesthetic meaning of Jikang's "mind" |
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| LI Chang-shu.Aesthetic meaning of Jikang''''s "mind"[J].Journal of Anhui Normal University(Humanities and Social Sciences),2006,34(1):99-103. |
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| Authors: | LI Chang-shu |
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| Institution: | Chinese Department, Nanjing University, Nanjing, 210093,China |
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| Abstract: | "Mind" is the core concept in Jikang's thought.That "yuemingjiao and renziran" can be understood as "yueming and renxin",and it is spiritual freedom.Jikang's "mind" comprises abundant aesthetic meanings,which are manifested in three aspects: transcendence,nature and freedom.Jikang's thought of"mind" is very important to the formation of the artistic conception. |
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| Keywords: | Jikang mind aesthetic meaning |
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