| 游走在承接与拓创之间——中国画的传统精神及创作琐谈 |
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| 引用本文： | 黄千,周金月.游走在承接与拓创之间——中国画的传统精神及创作琐谈[J].通化师范学院学报,2007,28(6):41-43. |
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| 作者姓名： | 黄千 周金月 |
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| 作者单位： | 通化师范学院美术系 吉林通化134002(黄千),内蒙古呼伦贝尔学院美术系 内蒙古呼伦贝尔盟021008(周金月) |
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| 摘 要： | 学习中国画要从传统开始是一个不争的学术事实,然而,不同的学者对中国画传统的内涵却存在着截然不同的解读。正确的诠释传统是学习中国画的客观前提,传统是个宽泛而生生不息,有待完善和不断发展着的领域,而决非一成不变的巢臼。学习传统不能仅仅囿于传统的形式构件,而是要把握传统的精神内核,领悟以“创新”为特质的传统精神,创新当跟随时代,并应时代需要革新绘画材料和技法。
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| 关 键 词： | 中国画 意象 传统精神 创新 材料技法 |
| 文章编号： | 1008-7974(2007)06-0041-03 |
| 修稿时间： | 2007年3月6日 |
Roaming between Inheritance and Innovation --The Traditional Spirit and Creation of Chinese Painting |
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| HUANG Qian et al.Roaming between Inheritance and Innovation --The Traditional Spirit and Creation of Chinese Painting[J].Journal of Tonghua Teachers College,2007,28(6):41-43. |
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| Authors: | HUANG Qian |
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| Institution: | Department of Art, Tonghua Teachers College, Tonghua, jilin 134002 |
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| Abstract: | It is the academic fact that studing Chinese painting must start from the tradition,however,different scholars actually have entirely different understands to the traditional connotation of Chinese painting.The correct annotating tradition is the objective premise of studing Chinese painting;tradition is wide field which needs the consummation and development,anything but invariable.Studing tradition cannot merely limited by the traditional form,but must grasp the traditional spiritual kernel,comprehend the traditional spirit taking "innovation" as the particularity.The innovation must follow the time,innovate the painting materials and techniques meeting the needs of the time. |
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| Keywords: | Chinese painting image traditional spirit innovation material and technique |
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