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87版电视剧《红楼梦》中王熙凤形象的塑造艺术研究
引用本文:温穗君.87版电视剧《红楼梦》中王熙凤形象的塑造艺术研究[J].唐山学院学报,2021,34(2):63-69.
作者姓名:温穗君
作者单位:广东金融学院 外国语言与文化学院, 广州 510521
基金项目:2019年度广东省高等教育教学改革项目(433)
摘    要:运用基于多模态符号理论的影视意义分析框架,考察87版电视剧中王熙凤在声音、语言和图像意义元素方面的布局.研究发现,在王熙凤首次出场的19个镜头中,她的身份无"实名"介绍,而是通过声音、图像和语言逐渐从"隐性推测"方式过渡到"显性推测"方式呈现;在前9个镜头中描述人物的意义元素以及人物所关联的过程类型凸显出王熙凤主要为说...

关 键 词:红楼梦  电视剧  多模态符号理论  王熙凤

The Multimodal Characterization Art of Wang Xifeng in the 1987 Drama of A Dream of Red Mansions
WEN Sui-jun.The Multimodal Characterization Art of Wang Xifeng in the 1987 Drama of A Dream of Red Mansions[J].Journal of Tangshan College,2021,34(2):63-69.
Authors:WEN Sui-jun
Institution:School of Foreign Languages and Cultures, Guangdong University of Finance, Guangdong 510521, China
Abstract:Based on the multimodal semiotic theory, this paper studies how Wang Xifeng is constructed in the 1987 drama. The result shows that in the 19 shots used to introduce Wang Xifeng, her identity is presumed from implicitly to explicitly through her voice, partial image of her figure and verbal semiotic resources, instead of being presented. The semiotic resources used to describe the characters and the related process types in the shots, foreground the semantic roles of Wang Xifeng as sayer and perceived phenomenon in the former 9 shots and as behavior and being identified identity in the latter 10 shots. The result highlights the dramatic effect of knowing Wang Xifeng by her voice rather than herself.
Keywords:A Dream of Red Mansions  drama  Multimodal Semiotic Theory  Wang Xifeng
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