| 《荒原》中的意象 |
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| 引用本文： | 蔡玉辉.《荒原》中的意象[J].安徽师范大学学报(人文社会科学版),2003,31(1):27-30. |
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| 作者姓名： | 蔡玉辉 |
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| 作者单位： | 安徽师范大学,外国语学院,安徽,芜湖,241000 |
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| 摘 要： | 《荒原》被誉为现代诗的里程碑。意象是该诗的主要艺术手法之一。它们种类繁多,来源广泛,看似彼此无涉,实际上都有着或隐或显的内在关联,构成了围绕和深化主题的意象网络,体现了诗人的创作理念,艺术地反映出"一战"后欧洲衰微破败的客观现实和混乱无着的精神状态。
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| 关 键 词： | 荒原 意象 关联 精神状态 |
| 文章编号： | 1001-2435(2003)01-0027-04 |
| 修稿时间： | 2002年7月25日 |
On images in The Waste Land |
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| CAI Yu-hui.On images in The Waste Land[J].Journal of Anhui Normal University(Humanities and Social Sciences),2003,31(1):27-30. |
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| Authors: | CAI Yu-hui |
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| Abstract: | The Waste Land is generally regarded as a mi lestone of western modern poetry. Imagery is one of the main artistic devices in the poem and its images have various forms and origins, and they are seemingly unrelated to each other. Virtually, however, these images are closely coherent with each o ther like a netwark surrounding and strengthening the theme of the poem as a ref le ction of the poet's concepts as well as the chaos and dangling state of mental s ituations of European society after World War I. |
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| Keywords: | The Waste Land images coherence me ntal situations |
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