| 从《定军山》看中国电影美学之源 |
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| 引用本文： | 蒋俊.从《定军山》看中国电影美学之源[J].南京师范大学文学院学报,2006(2):53-56. |
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| 作者姓名： | 蒋俊 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 《定军山》是中国电影开山之作,其电影美学风貌与西方电影初创之作颇多不同,却与中国传统美学对于光影的理解自然默契。其影像技术虽无创造与突破,但在艺术表现内容的选择上,能够做到记录基础之上的虚实相生。这对中国电影的发展很有影响。
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| 关 键 词： | 影戏 纪录 《定军山》 |
| 文章编号： | 1008-9853(2006)02-053-04 |
| 收稿时间： | 01 14 2006 12:00AM |
| 修稿时间： | 2006年1月14日 |
The Source of Chinese Film Aesthetics Revealed in The Battle of Dingjunshan |
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| Jiang Jun.The Source of Chinese Film Aesthetics Revealed in The Battle of Dingjunshan[J].Journal of Chinese Language and Culture School Nanjing Normal University,2006(2):53-56. |
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| Authors: | Jiang Jun |
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| Abstract: | The Battle of Dingjunshan,the first Chinese film,having a quite lot of differences in the film aesthetic feature with the West films in the early days,is coordinated naturally with the Chinese traditional aesthetic understanding of light and shadow.Though its image technology has no new ideas or breakthrough,its content selection of the artistic manifestation could influence the development of Chinese films quite well,for it dealing with the relation between the fact and out-and-out fabrication on the basis of records. |
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| Keywords: | film records The Battle of Dingjunshan |
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