| 古代文学创作论中的"物本感应"与"事本感应" |
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| 引用本文： | 吴建民.古代文学创作论中的"物本感应"与"事本感应"[J].河池学院学报,2011,31(1). |
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| 作者姓名： | 吴建民 |
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| 作者单位： | 徐州师范大学,文学院,江苏,徐州,221116 |
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| 摘 要： | "物本感应"与"事本感应"是古代文学创作论的两种基本观点,对于古代文学创作都具有重要意义.产生于六朝时期的"物本感应"论强调自然之物为文学创作之本源;生成于唐代的"事本感应"论强调社会生活之事为文学创作之本源.二者都受<乐记>的影响,比较而言,"事本感应"更深刻地反映了古代文学的创作实际.
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| 关 键 词： | 物本感应 事本感应 文学创作论 |
"The objective things give birth to emotion" and "The experiences from the society give birth to emotion" in the ancient literary creation |
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| WU Jian-min."The objective things give birth to emotion" and "The experiences from the society give birth to emotion" in the ancient literary creation[J].Journal of Hechi University,2011,31(1). |
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| Authors: | WU Jian-min |
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