| 武术套路视觉特性的文化解读 |
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| 引用本文： | 龚茂富,刘同为.武术套路视觉特性的文化解读[J].上海体育学院学报,2007,31(1):65-68. |
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| 作者姓名： | 龚茂富 刘同为 |
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| 作者单位： | 1. 成都体育学院,武术系,四川,成都,610014
2. 上海体育学院,武术系,上海,200438 |
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| 摘 要： | 立足于当代学者关于视觉文化的论著,结合武术文化实践,运用演绎法和逻辑推理法阐释武术文化的视觉特性。认为武术套路的视觉特殊在于:在武术套路表演过程中,观众的“看”与自我的“看”形成了视觉文化的运作“场”;传统武术的“内视”———武术对“形—气—心”一体三相的内视自觉,体现了“一人天,合内外”的大生命洪流;武术套路对技击实践的思维超越及对技击意境的精神表达,参与并形成了语言。
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| 关 键 词： | 武术套路 视觉文化 内视 视觉语言 |
| 文章编号： | 1000-5498（2007）01-0065-04 |
| 收稿时间： | 2006-10-13 |
| 修稿时间： | 2006-11-13 |
Culturally Expounding Visual Features of Wushu Routine |
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| GONG Mao-fu,LIU Tong-wei.Culturally Expounding Visual Features of Wushu Routine[J].Journal of Shanghai Physical Education Institute,2007,31(1):65-68. |
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| Authors: | GONG Mao-fu LIU Tong-wei |
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| Institution: | 1. Wushu Department, Chengdu Institute of Physical Education, Chengdu 610014, Sichuan, China; 2. Wushu Department, Shanghai University of Sport, Shanghai 200438, China |
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| Abstract: | Based on contemporary scholars' works on visual culture,combined with Wushu cultural practice and using the methods of deduction and logical reasoning,it set forth the visual features of Wushu culture.It held that the visual speciality of Wushu routine lied in that in the process of Wushu performance,the "watching" of audiences and Wushu performancers themselves came into being the operational "field" of visual culture,the "immanent feeling" of the conventional Wushu,i.e.its immanent-feeling consciousness of one body three phases of "shape-spirit-think" embodied the life onrush of the harmony between heaven and human beings,the thinking transcendency of Wushu routine to skilled hit practice and its spiritual expression of artistic conception of skilled hit participated in the formation of language. |
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| Keywords: | Wushu routine visual culture immanent feeling visual language |
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