| 鲁迅小说《起死》的文体选择与重构 |
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| 引用本文： | 赵光亚.鲁迅小说《起死》的文体选择与重构[J].南京师范大学文学院学报,2012(1):62-67. |
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| 作者姓名： | 赵光亚 |
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| 作者单位： | 南京师范大学文学院,江苏南京,210097 |
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| 摘 要： | 一般以为，鲁迅《起死》的文体袭自巴罗哈的《少年别》。实际上，它深受来自前叙事——明清庄子“叹骷髅”戏的影响。因为《少年别》可视为拟戏剧的“对话体”，它是现实主义理论的产物；而《起死》却多有超越，是一部荒诞有趣的游戏“闹剧”。作品对“叹骷髅”戏的重构过程，也是鲁迅化腐朽为神奇的艺术创造，《起死》也得以成为一部融合了写实性、游戏性与荒诞性于一体的现代戏剧体寓言小说。
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| 关 键 词： | 鲁迅《起死》 《少年别》 “叹骷髅”戏 |
The Genre Selection and Reconstruction of Resurrect the Dead |
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| Zhao guangya.The Genre Selection and Reconstruction of Resurrect the Dead[J].Journal of Chinese Language and Culture School Nanjing Normal University,2012(1):62-67. |
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| Authors: | Zhao guangya |
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| Institution: | Zhao guangya |
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| Abstract: | The genre of Lu Xun’s Resurrect the Dead is generally considered as borrowed from Pio Baroja’s "adios a la bohemia".But actually,it has deeply influenced by its previous narration,i.e.,the drama of Zhuang Zi’s "Sighing on the Skeleton" in the Ming and Qing Dynasties.Because the adios a la bohemia can be considered as a simulated drama "dialogue style",which is a creation of the realistic theory,while the Resurrect the Dead is a absurd and interesting farce with many surpasses.The process of its reconstruction of "Sighing on the Skeleton" is just Lu Xun’s artistic innovation of turning the rotten into a miracle,thus to make Resurrect the Dead a modern drama style allegoric fiction mixed together the reality,playability and absurdity. |
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| Keywords: | Lu Xun Resurrect the Dead adios a la bohemia the drama of Sighing on the Skeleton |
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