| 简论苏轼的文艺创作观 |
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| 引用本文： | 邓艳斌.简论苏轼的文艺创作观[J].湘南学院学报,2003,24(3):35-38. |
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| 作者姓名： | 邓艳斌 |
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| 作者单位： | 郴州师范高等专科学校办公室,湖南,郴州,423000 |
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| 摘 要： | 创作态度论和创作思维论是苏轼文艺创作观中的重要组成部分。创作态度论方面,他从坚持个性独立出发,坚持自由创作;他还提出自成一家,标举创新精神。创作思维论方面,他的"静空"观、"游于物外"、灵感论等观点中,包孕着很多有价值的认识。
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| 关 键 词： | 苏轼 文艺创作 创作自由 独创性 灵感 |
| 文章编号： | 1008-2042(2003)03-0035-04 |
| 修稿时间： | 2003年4月21日 |
A Brief Discussion of Sushi's Perspective of Literary and Artistic Creation |
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| DENG Yan-bing.A Brief Discussion of Sushi''''s Perspective of Literary and Artistic Creation[J].Journal of Xiangnan University,2003,24(3):35-38. |
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| Authors: | DENG Yan-bing |
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| Abstract: | Creation attitude and creation thought are the important components of Sushi's perspective of literary and artistic creation. From the perspective of creation attitude, he insists that an author should have independent personality and creation should be free; he also puts forwards the theory of unique novelty of creation. In the aspect of creation thought, valuable views can be found in his perspective of "quietness and emptiness" and his idea of creation of "author's staying beyond material objects" and his "inspiration viewpoint". |
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| Keywords: | Sushi literary creation freedom of creation novelty inspiration |
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