| 儒释道思想与中国山水画之“水”的意境 |
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| 引用本文： | 胡悦晗,王公瑾.儒释道思想与中国山水画之“水”的意境[J].洛阳师范学院学报,2010,29(3):139-142. |
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| 作者姓名： | 胡悦晗 王公瑾 |
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| 作者单位： | 1. 华东师范大学,历史系,上海,200241
2. 湖北美术学院,国画系,武汉,430070 |
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| 摘 要： | 本文通过考察儒释道思想与中国山水画中"水"的意境的关联认为:儒家思想表现在对山水画整体的和谐统一观上;道家思想表现在通过"水"追求愉悦流畅的心情表达、水墨为上的观念形成、以及无墨处皆成妙境的意蕴;禅学思想表现在山水画中"水"的地位提升、"水"的审美趣味、"水"的表现风格与种类发展。儒释道思想为山水画之"水"的意境提供了价值依托,山水画之"水"的意境也是儒释道思想的一个展现方式。
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| 关 键 词： | 儒释道思想 山水画 意境 审美 |
Confucian-Buddhist-Taoist Thoughts and the Imagery of "Water" in Chinese Landscape Painting |
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| HU Yue-han,WANG Gong-jin.Confucian-Buddhist-Taoist Thoughts and the Imagery of "Water" in Chinese Landscape Painting[J].Journal of Luoyang Teachers College,2010,29(3):139-142. |
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| Authors: | HU Yue-han WANG Gong-jin |
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| Institution: | 1.History Department,East China Normal University,Shanghai 200241,China;2.Chinese Painting Department,Hubei Art Academy,Wuhan 430070,China) |
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| Abstract: | Through discussing Confucian-Buddhist-Taoist thoughts and the imagery of water in Chinese landscape painting,this paper draws the conclusion that Confucian thoughts are manifest in the concept of harmony of landscape painting;Taoist thoughts are manifest in pursuit of ease of mind with ＂water＂,preference of premium water-ink and the imagery where blank spots with no ink are artfully subtle Zen Buddhist thoughts are manifest in the elevated importance of ＂water＂,aesthetic value,visual style and genre development of ＂water＂.Confucian-Buddhist-Taoist thoughts provide a value basis for ＂water＂ imagery,which is a presentation of Confucian-Buddhist-Taoist thoughts. |
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| Keywords: | Confucian-Buddhist-Taoist thoughts landscape painting imagery aesthetics |
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