宗白华的艺术批评思想、方法及实践 |
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引用本文: | 张泽鸿.宗白华的艺术批评思想、方法及实践[J].襄樊学院学报,2013(9):61-67. |
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作者姓名: | 张泽鸿 |
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作者单位: | 湖北文理学院美术学院,湖北襄阳441053 |
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基金项目: | 国家社科基金后期资助项目(12FYS012) |
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摘 要: | 宗白华在中国古典艺术批评理论的启发下,将生命本体的美学观念运用于现代艺术的解读,建立了“生机主义”的现代批评理论话语模式,开辟了生命意象批评与境界体验批评的方法,并具体展现在对中国现代诗画及西方现代艺术的批评实践中.宗白华以其批评思想、批评实践以及批评史研究这三个维度建构了现代“艺术批评学”.宗白华的艺术批评学在一定程度上有效规避了中国现代艺术批评“唯西方是从”的方法论缺陷,并对当代中国艺术批评学和批评史产生了深远的影响.
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关 键 词: | 宗白华 生机主义 艺术批评思想 批评方法 艺术批评史 |
Zong Baihua' s Art Criticism Ideas, Methods and Its Practice |
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Institution: | ZHANG Ze - hong (The College of Fine Arts, Hubei University of Arts and Sciences; Xiangyang 441053 ,China) |
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Abstract: | Inspired by the critical theory of Chinese classical art, Zong Baihua applies aesthetic conception of life ontology to the understanding of modem art. He establishes the model for life - centered critical theory and opens up two critical methods: life image criticism and realm experience criticism. Criticism ideas, criticism practice and research of criticism history composes Zong Baihua' s modern art criticism, which avoids effectively methodological flaws of "pandering to the western model" to some extent. It has profound impact on Chinese contemporary history of art criticism. |
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Keywords: | Zong Baihua Organicism Art criticism ideas Critical methods History of art criticism |
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