| 建安文人创作中理与情的消长 |
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| 引用本文： | 张振龙.建安文人创作中理与情的消长[J].周口师范学院学报,2005,22(1):25-28. |
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| 作者姓名： | 张振龙 |
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| 作者单位： | 信阳师范学院,文学院,河南,信阳,464000 |
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| 基金项目： | 河南省高校青年骨干教师资助项目 |
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| 摘 要： | 情与理不仅是古代文学的主要表现内容,且是文人文学观念得以深化前进的重要标识.建安前期文人的文学创作与<诗经>中的讽颂之作、屈原的发愤之篇、东汉中期以后的抒情辞赋一样,只是文人宣泄情感的一种自然方式,还未走上自觉,作品中情与理的结合比较和谐一致.建安后期,文学创作成为文人表情达意的主要工具,并且是自觉地、有意识地去使用这一工具,情感特征日益突出,理性精神相对弱化,呈现出与前期不同的新的特质.
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| 关 键 词： | 建安文人 文学创作 情感 理性 |
| 文章编号： | 1671-9476(2005)01-0025-04 |
| 修稿时间： | 2004年6月24日 |
The decay or growth of emotion and reasonableness in creation of Jian'an literaries |
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| ZHANG Zhen-Long.The decay or growth of emotion and reasonableness in creation of Jian'an literaries[J].Journal of Zhoukou Normal University,2005,22(1):25-28. |
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| Authors: | ZHANG Zhen-Long |
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| Abstract: | The emotion and reasnableness not only is the main contents of classic literature,but also is the important marking of literary concept of deepening. At the early stage of Jian'an,literary creation similar to Feng song's works of "poetry's Book",Qu-yan works of expressing emotion, sentimental "Cifu" after the middle of East Han period,is just a kind of nature method of expressing emotion,haven't walked the top aware of self,the work inside feeling is in accordance with the combination of the reason harmoniously.At the later stage of Jian'an,the literary creation becomes the main tool that scholars express their emotion,and is aware of self, having to use this tool consciously,the emotion characteristic is increasingly outstanding, manaing the opposite weakening in spirit of feeling, presenting with the different and new characteristic,compared with before. |
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| Keywords: | Jian'an literaries literary creation emotion reasonable ness |
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