| 析莎剧中的“女扮男装”母题——以《威尼斯商人》中的鲍西亚为例 |
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| 引用本文： | 苟迎迎.析莎剧中的“女扮男装”母题——以《威尼斯商人》中的鲍西亚为例[J].柳州师专学报,2011,26(6):30-32,132. |
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| 作者姓名： | 苟迎迎 |
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| 作者单位： | 河南大学文学院,河南,开封,475001 |
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| 基金项目： | 河南省教育厅人文社会科学研究规划项目 |
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| 摘 要： | 在莎士比亚塑造的众多神态各异的女性形象中,敢于＂女扮男装＂的女性无疑是令人叹服的独特风景。莎士比亚戏剧中的女性形象选择着＂男装＂有着两方面的原因：一是迫于传统与现实的无奈之举;二是心理层面上的＂男性化＂抗议之举。这些＂女扮男装＂的形象客观地反映了当时女性的从属地位以及某种程度上女性自我意识的觉醒。
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| 关 键 词： | 莎士比亚 女性形象 女扮男装 |
On Motif of Women Disguised as Men in Shakespeare's Dramas: Take Portia in The Merchant of Venice |
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| GOU Yingying.On Motif of Women Disguised as Men in Shakespeare's Dramas: Take Portia in The Merchant of Venice[J].Journal of Liuzhou Teachers College,2011,26(6):30-32,132. |
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| Authors: | GOU Yingying |
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| Institution: | GOU Yingying(School of Literature,Henan University,Kaifeng,Henan,475001 China) |
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| Abstract: | A variety of female characters created by Shakespeare and dared to disguise as a men are regarded undoubtedly as a marvelous unique.Two reasons that the female figures chose in male clothing in Shakespeare＇s dramas： one is a helpless move,which is under the pressure of tradition and reality;the other one is the act of protesting about the virilism psychologically.These actions objectively reflect the women＇s subordinate status and the awakening of women＇s self-conscious to some degree at that time. |
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| Keywords: | Shakespeare female characters women disguised as men motif |
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