| 新古典到启蒙的转折--简论伏尔泰美学思想 |
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| 引用本文： | 吴予敏.新古典到启蒙的转折--简论伏尔泰美学思想[J].华中师范大学学报(人文社会科学版),2004,43(3):81-85,95. |
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| 作者姓名： | 吴予敏 |
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| 作者单位： | 深圳大学,文学院,深圳,518060 |
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| 摘 要： | 伏尔泰是法国新古典主义到启蒙美学转折时期的重要代表，他综合继承了理性主义、经验主义的哲学成果，并结合考察民族国家的社会历史和艺术实践，提出了关于民族审美鉴赏力、艺术想像力和艺术创造性的深刻见解，为启蒙时代的艺术感性观念开了先河。
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| 关 键 词： | 伏尔泰 法国启蒙美学 新古典主义 审美鉴赏 艺术想像 |
| 文章编号： | 1000-2456(2004)03-0081-05 |
From Neoclassicism to the Enlightment:the Turning Point--On Voltaire's Aesthetic Thinking |
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| WU Yu-min.From Neoclassicism to the Enlightment:the Turning Point--On Voltaire's Aesthetic Thinking[J].Journal of Central China Normal University(Humanities and Social Sciences),2004,43(3):81-85,95. |
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| Authors: | WU Yu-min |
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| Abstract: | Voltaire is an important French representative of aesthetics during the transitional period from neoclassicism to enlightment aesthetics. On the basis of inheriting the positive legacies of rationalism and experimentalism and invastigating social histories and art practices of ethnic nations, he puts forward some insightful ideas about ethnic connoisseurship, art imagination and art originality, which pave the way for the artistic perceptiveness in the Enlightment Age. |
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| Keywords: | Voltaire French enlightment aesthetics neoclassicism connoisseurship art imagination |
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