| 从戏曲[夜深沉]曲牌说开去 |
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| 引用本文： | 宋元元.从戏曲[夜深沉]曲牌说开去[J].新疆教育学院学报,2005,21(3):121-123. |
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| 作者姓名： | 宋元元 |
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| 作者单位： | 西安音乐学院,陕西,西安,710061 |
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| 摘 要： | 中国传统戏曲器乐曲牌夜深沉]是由昆曲声乐曲牌风吹荷叶煞]变化发展而来,作为戏曲器乐曲牌的代表作品,夜深沉]所反映的不仅是声乐曲牌与器乐曲牌的渊源关系．更昭示出中国传统戏曲音乐“一曲多用,一曲多变”这一特有的创变规律。
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| 关 键 词： | 夜深沉 器乐曲牌 “一曲多用 一曲多变” |
| 文章编号： | 1008-3588(2005)03-0121-03 |
| 收稿时间： | 04 6 2005 12:00AM |
| 修稿时间： | 2005年4月6日 |
From Chinese Traditional Instrumental Tune Yeshenchen |
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| Song Yuanyuan.From Chinese Traditional Instrumental Tune Yeshenchen[J].Journal of Xinjiang Education Institute,2005,21(3):121-123. |
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| Authors: | Song Yuanyuan |
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| Institution: | Xian Conservatory of Music, Xian, Shanxi, 710061 |
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| Abstract: | Chinese traditional instrumental tune yeshenchen develops from the vocal music of Kunqu Fengchuiheyesha.As a masterpiece in opera instrumental tunes,Yeshenchen not only reflects the original relationship between vocal music tunes and instrumental tunes,but also makes clear to all the unique composing regularity of " one tune,more uses;one tune,more changes" in Chinese traditional opera music. |
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| Keywords: | Yeshenchen instrumental tune "one tune more uses one tune more changes" |
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