| 论民族声乐的吐字发音技巧 |
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| 引用本文： | 邹燕.论民族声乐的吐字发音技巧[J].内蒙古师范大学学报(哲学社会科学版),2010(6):145-148. |
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| 作者姓名： | 邹燕 |
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| 作者单位： | 赤峰学院音乐学院,内蒙古赤峰市,024000 |
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| 摘 要： | 吐字发音是歌唱的重要技巧。十三辙作为汉字吐字的语音练习,已经被广泛地应用于歌曲的演唱和声乐教学当中。但因其归韵复杂,韵内各字的发音规律不统一,记忆和运用的难度比较大。笔者在总结多年教学经验的基础上,以发音位置为依据,分析了汉语拼音和汉字发音位置的变化规律,把汉字发音归入四个类别,提出了吐字发音的两个技巧即调整时长、转韵调整和两条原则即情感优先、兼顾辨析,使汉字吐字发音在演唱中的处理方式得到进一步简化。
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| 关 键 词： | 民族声乐 吐字发音 技巧 |
ON THE ENUNCIATING AND ARTICULATING SKILLS IN NATIONAL VOCAL MUSIC |
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| ZOU Yan.ON THE ENUNCIATING AND ARTICULATING SKILLS IN NATIONAL VOCAL MUSIC[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2010(6):145-148. |
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| Authors: | ZOU Yan |
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| Institution: | ZOU Yan(Music School,Chifeng College,Chifeng,Inner Mongolia,China 024000) |
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| Abstract: | Enunciating and articulating are important skills of singing.Shisanzhe,the enunciating exercise of Chinese characters,has been widely used in singing and in the teaching of vocal music.However,due to its complex rhymes and irregular articulating rules,it is rather difficult to memorize and use.Based on a summary of the past teaching experience and according to the articulating points,the author analyzes the changing laws of Chinese Pinyin and the articulating position of Chinese characters,categorizes Chinese character articulation into four types and advances two skills（adjust the time length and rhymes） and principles（giving priority to emotion and at the same time distinguishing and analyzing） for enunciation and articulation and as a result,simplifies the enunciation and articulation of Chinese characters in singing. |
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| Keywords: | national vocal music enunciating and articulating skills |
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