| 文学创作中的透视性话语和遮蔽性话语——从张爱玲的《封锁》说起 |
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| 引用本文： | 蔡明明.文学创作中的透视性话语和遮蔽性话语——从张爱玲的《封锁》说起[J].重庆职业技术学院学报,2009,18(3):62-64. |
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| 作者姓名： | 蔡明明 |
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| 作者单位： | 西南大学,新诗研究所,重庆,400715 |
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| 摘 要： | 文学创作中言说的方式是多种多样的，话语本身又包含着作品不可或缺的元素。无论是透视性的话语还是遮蔽性的话语，都可以给读者留下多维度的解读空间，张爱玲的《封锁》巧妙地将二者结合起来。本文从小说人物的言语出发，探讨《封锁》中独特的话语空间。
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| 关 键 词： | 话语 透视性 遮蔽性 《封锁》 |
The Perspective and Hidden Words in Literature——From Blockade Written by Zhang Ailing |
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| CAI Mingming.The Perspective and Hidden Words in Literature——From Blockade Written by Zhang Ailing[J].Journal of Chongqing Vocational& Technical Institute,2009,18(3):62-64. |
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| Authors: | CAI Mingming |
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| Institution: | CAI Mingming(Modern Chinese Poetry Research Institute,Southwest University,Chongqing 400715,China) |
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| Abstract: | There are various ways of word expression in literature, and words is an indispensable part of a work. Therefore, no matter words that are perspective or words that have hidden meaning, both of them can provide readers with a huge room to analyze. Blockade written by Zhang Ailing is the best combination of these two skills. This essay aims to explore the unique space in the words from all characters in Zhang's Blockade. |
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| Keywords: | words perspective the hidden meaning Blockade |
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