| 试论中国画气韵生动与人品的关系 |
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| 引用本文： | 陈钊.试论中国画气韵生动与人品的关系[J].泉州师范学院学报,2010,28(3):95-100. |
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| 作者姓名： | 陈钊 |
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| 作者单位： | 泉州师范学院,文学与传播学院,福建,泉州,362000 |
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| 摘 要： | 在中国画的创作与品评中,“气韵生动”为六法的第一法则,只有得气韵而后方为得画法之真法。气韵和气韵生动都是抽象的概念,有些难以琢磨。尤其是在论及艺术家如何才能使自己的作品气韵生动时,自古以来人们往往根据各自的体验和领悟做出众多分歧的解说。文章旨在对古代画论中关于气韵生动的梳理研究,重点揭示中国画气韵生动与人品的主要关系是：可修的人品与可学气韵。
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| 关 键 词： | 中国画 气韵生动 人品 天庭生知 笔墨 |
On Chinese Painting:a Vivid Relationship with the Character |
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| CHEN Zhao.On Chinese Painting:a Vivid Relationship with the Character[J].Journal of Quanzhou Normal College,2010,28(3):95-100. |
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| Authors: | CHEN Zhao |
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| Institution: | CHEN Zhao(School of Literature and Communication,Quanzhou Normal University,Fujian 362000,China) |
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| Abstract: | In Chinese Paintings and sayings,＂Lively＂ the first rule for the Six Laws only has Qiyun and latter to get the true method of drawing.Qiyun and vivid are Abstract concepts,some elusive,especially in how to deal with artists,make their works be vivid.Since ancient times people have based on their own experience and comprehension of many differences to make the explanation.This paper on the ancient paintings on the vivid sort of focus reveals the Chinese Painting a vivid relationship with the main character. |
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| Keywords: | Chinese Painting vivid character ink |
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