| 另寻天涯：汉语新诗的“漂木”——论洛夫的“天涯”美学 |
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| 引用本文： | 傅天虹.另寻天涯：汉语新诗的“漂木”——论洛夫的“天涯”美学[J].海南师范大学学报(社会科学版),2011,24(1):78-81. |
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| 作者姓名： | 傅天虹 |
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| 作者单位： | 北京师范大学,珠海分校,文学院,广东,珠海,519085 |
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| 摘 要： | 在对汉语新诗的研究中，不能否认与忽视的一点是，百年来的汉语新涛诗路的发展态势是多元立体而非线性的。在此中，一种由离散主体所创作的诗歌——姑且以“天涯”离散诗歌为名，因跨越地理、历史、文化而获得了异质化的意义呈现。洛夫诗歌作为这种“天涯”离散诗歌的典型经典，充分体现了“天涯”美学从自我否定、另寻天涯、多方返照的哲学意义与美学内涵。
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| 关 键 词： | 洛夫 汉语新诗 天涯美学 |
On Luo Fu's Aesthetics of "The End of the Earth" |
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| Authors: | FU Tian-hong |
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| Institution: | FU Tian - hong (School of Chinese Language and Literature, Zhuhai Branch, Beijing Normal University, Zhuahi 519085, China) |
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| Abstract: | In studies on Chinese new verse, one point should not be denied or ignored, namely, the multidimensional rather than linear course of development for Chinese new verse. One type of disperse verse, penned by individual poets and just known as disperse verse of ＂the End of the Earth＂, has exhibited its special meaning by transcending geography, history and culture. As a representative classic of disperse verse of ＂the End of the Earth＂, Luo Fu＇ s poems have fully embodied the philosophical significance of aesthetic connotation of aesthetics of ＂the End of the Earth＂ in terms of its self - negation, its pursuit of a unique approach to verse and its multi -reference. |
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| Keywords: | Luo Fu Chinese new verse aesthetics of the ＂End of the Earth ＂ |
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