| 中国象征诗与朦胧诗比较研究 |
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| 引用本文： | 秦春光.中国象征诗与朦胧诗比较研究[J].重庆职业技术学院学报,2008,17(4):81-83. |
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| 作者姓名： | 秦春光 |
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| 作者单位： | 长江大学文学院,湖北荆州,434020 |
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| 摘 要： | 在对现实态度上，象征派是无意识的逃避，朦胧派则自觉不自觉地扮演了“历史真理代言人”的角色。在诗学上，两派虽都借重音乐的特性入诗，但象征派的心理诗学观过于内向聚敛，朦胧派则注重心灵与客观世界的关系。在美学的探索上，两派虽创立了新的美学原则，但象征化语体和意象化语体又有所差异。
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| 关 键 词： | 象征诗 朦胧诗 现实态度 诗学 美学 |
A Comparative Study between Chinese Symbol of Poetry and Misty Poetry |
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| QIN Chunguang.A Comparative Study between Chinese Symbol of Poetry and Misty Poetry[J].Journal of Chongqing Vocational& Technical Institute,2008,17(4):81-83. |
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| Authors: | QIN Chunguang |
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| Institution: | QIN Chunguang (Chinese Department of Yangtze University,Jingzhou Hubei 434020,China) |
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| Abstract: | In the real attitude,Symbolism School is the unconscious escape;Misty Poetry camp is consciously or unconsciously played the historical truth spokesmen role.In poetry,they both rely on the music of the poems,but the psychological symbol to send poetry to the concept of amassing;Misty Poetry camp focuses on soul and the objective world.Aesthetics in the exploration,they have both founded new aesthetic principles,but Symbol of style and image of the body language have differences. |
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| Keywords: | symbolic poetry minty poetry realistic poetry aesthetic |
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