| 浅论八大山人绘画艺术的精妙之“度” |
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| 引用本文： | 肖顺.浅论八大山人绘画艺术的精妙之“度”[J].湘南学院学报,2012(3):80-82. |
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| 作者姓名： | 肖顺 |
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| 作者单位： | 湘南学院美术系 |
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| 摘 要： | 在我国绘画史上,八大山人占据着重要的位置,他破前人之法度立自我之新法度,而成就自己的独特绘画面貌。他的绘画创作从两方面体现了对"度"的精妙把握。一方面,在造型上破前人之法度,在似与不似间找到了新的平衡点,另一方面,在章法上简约的画面形式构成成功处理了画面构成的抽象与具象的关系,成立了自己新的法度。
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| 关 键 词： | 度 八大山人 造型 章法 |
Brief Talk on the "Degree" of Exquisiteness in Ba Da Shanren’s Paintings |
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| Xiao Shun.Brief Talk on the "Degree" of Exquisiteness in Ba Da Shanren’s Paintings[J].Journal of Xiangnan University,2012(3):80-82. |
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| Authors: | Xiao Shun |
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| Institution: | Xiao Shun(Art Department,Xiangnan University,Chenzhou 423000,China) |
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| Abstract: | Ba Da Shanren occupied an important position in Chinese art history.He created some new standard and formed a unique drawing appearance of his own.This article talks on his excellent grasp of "the degree" while he dealt with his painting from two aspects: He broke the previous program of modeling and found a new balance point between similarity and dissimilarity;On the othe hand,he created new methodicalness and successfully used the abstract and concrete in his simple picture structures. |
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| Keywords: | degree Ba Da Shanren modeling methodicalness |
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