| 简析王家卫后现代语境下的电影元素 |
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| 引用本文： | 王明生,张桦.简析王家卫后现代语境下的电影元素[J].丽水学院学报,2009,31(3):23-27. |
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| 作者姓名： | 王明生 张桦 |
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| 作者单位： | 丽水学院,人文学院,浙江,丽水,323000 |
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| 摘 要： | 作为香港“新电影”的突出代表人物，王家卫以后现代主义电影关学观对电影的叙事语言、故事主题、画外音独白、色彩运用和电影噱头等电影元素进行了深入的探索。他选择即兴的拍片手法，将叙事文本模糊，转而用碎片式的创作风格来粘合情节，通过人物情感自白来表现对生活的真切感受，呈现出人物间的情感冲突，刻画人物“寂寞个体间的无言交流、孤寂情感的另类诉说以及孤寂被拒的情感基调”等心理底色，形成王家卫独特的电影风格。
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| 关 键 词： | 王家卫 电影元素 画外音独白 电影叙事 故事主题 色彩运用 电影噱头 |
A Simple Analysis of Karwai Wong's Movie Elements under the Post-modern Linguistic Environment |
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| Wang Mingsheng,Zhang Hua.A Simple Analysis of Karwai Wong's Movie Elements under the Post-modern Linguistic Environment[J].Journal of Lishui University,2009,31(3):23-27. |
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| Authors: | Wang Mingsheng Zhang Hua |
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| Institution: | College ofHumanities Studies;Lishui University;Lishui Zhejiang 323000;China |
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| Abstract: | As an outstanding representative in Hong Kong's"New movie",Karwai Wong,with post-modernist movies aesthetics,has conducted an in- depth exploration on the movie elements such as the narrative language, the story theme,the voice-over monologue,the color utilization and the movie gimmicks and so on.He chooses the film improvisation,blurs the narrative text,uses the fragment-like creation style to agglutinate the plot,expresses the real feelings of life through the characters,emotional confession,shows the emo... |
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| Keywords: | Karwai Wong voice-over monologue film narrative story theme color utilization movie gimmicks |
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