| 从原始文身的演变解读当代绘身艺术 |
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| 引用本文： | 周远屹.从原始文身的演变解读当代绘身艺术[J].衡阳师范学院学报,2012,33(2):116-119. |
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| 作者姓名： | 周远屹 |
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| 作者单位： | 衡阳师范学院美术系,湖南衡阳421002／广州美术学院油画系,广东广州510006 |
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| 摘 要： | 原始文身作为原始狩猎民族生产基础上的产物,历来人类学者、民俗学者、艺术学者、生物学者及社会学者们,均从不同的研究领域对其做出了解释,但由于研究方法的各异,其中不乏曲解原始文身历史意义的论述。原始文身要联系当代绘身艺术这一新兴艺术形式进行分析,从中发掘出所积淀的现代审美观和精神效应。
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| 关 键 词： | 文身图腾 绘身艺术 审美意识 文化价值 |
From Evolution of Original Tattoo Interpreting Contemporary Body-paint Art |
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| ZHOU Yuan-yi.From Evolution of Original Tattoo Interpreting Contemporary Body-paint Art[J].journal of Hengyang Normal University,2012,33(2):116-119. |
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| Authors: | ZHOU Yuan-yi |
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| Institution: | ZHOU Yuan-yi(Fine Arts Department,Hengyang Normal University,Hengyang Hunan 421002,China; Guangzhou Academy of Fine Arts,Guangzhou Guangdong 510006,China) |
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| Abstract: | The original tattoo,as the basic products of the original hunting nation’s production,has been studied from different research area by anthropologist,folklorist,art scholar,biologist and sociologist,but due to different research methods,there exists some explanation that misinterpreted the historical meaning of the original tattoo.The analysis of the original tattoo should integrate the emerging art form of the contemporary body-paint art and identify the accumulated modern aesthetic concept and the spirit effect. |
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| Keywords: | totem tattoo body-paint art aesthetic consciousness cultural value |
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