| 浅谈大提琴演奏中的音色问题 |
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| 引用本文： | 梁冬梅.浅谈大提琴演奏中的音色问题[J].辽宁高职学报,2012,14(5):84-86. |
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| 作者姓名： | 梁冬梅 |
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| 作者单位： | 沈阳音乐学院,辽宁沈阳,110015 |
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| 摘 要： | 音色是音乐表现的基础，奏出干净、饱满、平衡、富有表现力的声音是大提琴演奏者必备的素质。要发出好的声音有多方面因素，而正确的、符合自然规律的握弓方法和力量的使用尤为重要。发音的三大要素即接触点、弓压和弓速的关系是发音的关键。平稳换弓是保证音乐流畅性不被破坏的前提，正确地使用弓法确保音乐风格的把握。
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| 关 键 词： | 大提琴 演奏 音色 |
On the Tone Problem of Cello Performance |
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| LIANG Dong-mei.On the Tone Problem of Cello Performance[J].Liaoning Higher Vocational Technical Institute Journal,2012,14(5):84-86. |
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| Authors: | LIANG Dong-mei |
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| Institution: | LIANG Dong-mei(Shenyang Conservatory of Music,Shenyang 110015,China) |
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| Abstract: | Tone is the basis of music performance.It is the necessary quality for cellists to perform clean,full,balanced and rich of expression.There are various factors to make a good voice,and the correct bow gripping method and the power usage is extremely important according to the natural rule.The relation of three factors in tone is the key to tone,including touch point,bow pressing and bow speed.The change of bow stably is the premise to ensure that the music fluency cannot be broken.The correct usage of bow can guarantee the mastery of music style. |
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| Keywords: | cello performance tone |
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