| 中国艺术精神研究的"偏"和"全"--评徐复观中国艺术精神主体研究的失误 |
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| 引用本文： | 孙琪.中国艺术精神研究的"偏"和"全"--评徐复观中国艺术精神主体研究的失误[J].广东教育学院学报,2004,24(4):115-117. |
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| 作者姓名： | 孙琪 |
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| 作者单位： | 暨南大学中文系，广东广州510632 |
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| 摘 要： | 徐复观先生探讨中国艺术精神以道家尤其是庄子为精髓和根本，认为这种纯艺术精神最终落实于中国传统山水画上。徐氏在中国艺术精神之落实所得的“偏”，与他对中国艺术精神主体挖掘所呈现的“全”，不能相圆融，因而出现阐释中的失误。
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| 关 键 词： | 中国 艺术精神研究 徐复观 山水画 精神主体 儒家 道家 |
| 文章编号： | 1007-8754(2004)04-0115-03 |
| 修稿时间： | 2004年9月23日 |
The Chinese Art Spirit and The Landscape Painting |
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| SUN,Qi.The Chinese Art Spirit and The Landscape Painting[J].Journal of Guangdong Education Institute,2004,24(4):115-117. |
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| Authors: | SUN Qi |
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| Abstract: | Xufuguan inquired into the spirit of Chinese art by taking Dao,especially,Zhuangzi as the root. He believed that this art spirit came into being through traditional Chinese landscape painting. When Mr. Xu studied the spirit of Chinese art,he made mistakes due to partiality. But when Mr.Xu studied the main part of the Chinese art spirit ,he is correct in taking a comprehensive view. |
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| Keywords: | The Chinese art spirit landscape painting efforts of self-cultivation |
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