| 秦汉绘画颜料考 |
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| 引用本文： | 李晓庵.秦汉绘画颜料考[J].山西师大学报,2002,29(3):12-17. |
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| 作者姓名： | 李晓庵 |
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| 作者单位： | 山西师范大学美术学院 山西临汾041004 |
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| 基金项目： | 山西师范大学校基金资助课题 :中国传统颜料研究 |
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| 摘 要： | 秦汉时期处于中国封建社会的上升时期，绘画，雕塑和印染工艺都得到了长足的发展，秦汉时期对色彩的认识有了很大程度的提高，彦是彩绘的物质基础，中国绘画彦制造的五大原料来源，在汉代已经齐全，其绘画颜料的制作应用的成熟，对我国绘画颜料发展起到了承前启后的作用，并为我国古代绘画处于世界绘画史领先地位奠定了坚实的基础。
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| 关 键 词： | 绘画颜料 秦汉时期 彩绘 植物色 矿物色 金属色 动物色 化学色 用色 秦始皇冰马俑 宫殿 墓室 |
| 文章编号： | 1001-5957(2002)03-0012-06 |
| 修稿时间： | 2002年3月30日 |
A Textual Research into the Pigment of Traditional Chinese Painting in Qin and Han Dynasties |
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| LI,Xiao,an.A Textual Research into the Pigment of Traditional Chinese Painting in Qin and Han Dynasties[J].Journal of Shanxi Teachers University,2002,29(3):12-17. |
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| Authors: | LI Xiao an |
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| Abstract: | In the Qin and Han Dynasties,the feudal society had been in its prosperous period. In the two dynasties,the traditional Chinese painting, the sculpture and the technology of printing and dyeing were made rapid progress. The artists' recognition of colour reached to a higher level. The pigment is the material base of the traditional Chinese painting,and its five kinds of sources were commonly produced and used in Han Dynasty. It played a role of inheriting the past and ushering in the future, in the developing history of the traditional Chinese painting pigment,also,it laid a solid foundation for the advanced position of ancient China in the world painting history. |
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| Keywords: | pigment colour painting and drawing plant pigment mineral pigment metal pigment animal pigment chemical pigment |
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