| 舌头的自我许可:"第三代诗"深度分析 |
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| 引用本文： | 李志元.舌头的自我许可:"第三代诗"深度分析[J].广播电视大学学报,2004(2):7-10,35. |
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| 作者姓名： | 李志元 |
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| 作者单位： | 北京师范大学,北京,100875 |
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| 摘 要： | “第三代诗”是一种语言意识觉醒之后的真正具有文学史意义的写作,是一代青年诗人在强大汉文化传统压力下所采取的语言戏拟策略。诗人们坚持“诗就是诗”,诗就是语言对生命欲望和事物本真存在的直接命名,强调与生命同一的语感。拒绝情绪和意象,力求语言在自身的言说中进入当代事物和感性生活。“第三代诗”自觉地以语词为行动,消解了传统意义上的诗的人文取向和形而上品质,包蕴着特定的后现代主义的怀疑和批判精神。
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| 关 键 词： | 第三代诗 语言戏拟 后现代倾向 个人写作 |
| 文章编号： | 1008-0597(2004)02-0007-05 |
| 修稿时间： | 2003年9月5日 |
The Self-permission of the Tongue:A Deep Analysis of the Third Generation Poetry |
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| LI Zhi-yuan.The Self-permission of the Tongue:A Deep Analysis of the Third Generation Poetry[J].Journal of TV University(Philosophy & Social Sciences),2004(2):7-10,35. |
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| Authors: | LI Zhi-yuan |
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| Abstract: | The Third Generation Poetry is the very production which possesses the real literary historical meaning since the poets become conscious of the sense of language. It is also the strategy of paroding the language adopted by the young poets who are pressed by the great traditional Chinese culture They insist on "Poem is poem", hold that the poem is directly name the desire for life and reality of things by means of language. They emphasize the sense of utterance which accords with life, and yet refuse emotions and images so as to enter the existing things and perceptual ways of life by unfolding the language itself. The Third Generation Poetry consciously makes use of the linguistic item to dissolve the humanism and metaphysical feature of the traditional poetry. So we can say that the Third Generation Poetry has its own special doubts and criticism of the post-modernism. |
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| Keywords: | The Third Generation Poetry Linguistic parody Post-modernism tendency Individual writing |
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