| 我国意境理论的形成与发展 |
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| 引用本文： | 孙向阳.我国意境理论的形成与发展[J].铜仁学院学报,2005,7(1):42-44,49. |
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| 作者姓名： | 孙向阳 |
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| 作者单位： | 铜仁师范高等专科学校,中文系,贵州,铜仁,554300 |
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| 摘 要： | 意境是中国古典美学的独特范畴，是中国文化史上最中心也最具有世界贡献的一方面。它是后于“意象”概念出现，却渐渐成为艺术的终极追求而超越了“意象”的一个范畴。我国的意境理论的形成与发展经历了一个由先秦——魏晋南北朝——唐宋——明清的漫长的历史演进过程。本文试图梳理其理论形成与发展的脉络。
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| 关 键 词： | 意境 形成 发展 |
| 文章编号： | 1671-9972（2004）04-0042-（04） |
| 收稿时间： | 2004-06-25 |
| 修稿时间： | 2004年6月25日 |
On the Formation and Evolvement of the Theory on Artistic Conception in Our Country |
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| Sun Xiangyang.On the Formation and Evolvement of the Theory on Artistic Conception in Our Country[J].Journal of Tongren University,2005,7(1):42-44,49. |
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| Authors: | Sun Xiangyang |
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| Abstract: | Artistic conception is a unique category of Chinese classical aesthetics and is also one of the most and central contributions to the world in Chinese cultural history. Although artistic concePtion emerges after the concept of image, it has gradually become the ultimate pursuit of arts and is a category that has sunnoonted the concept of image. The formation and evolvement of the theory on artistic conception in our country has seen a long historical gradual progress, that is to say, from the Qin, the Wei and the Jing, the .South and the North, the Tang and the Song to the Ming and the Qing dynasties. Tiffs treatise has attempted to comb the trainof thought that the above-mentioned theory has formed and evolved. |
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| Keywords: | artistic conception evolvement development |
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