| 蜂花蝶影里的海上浮世绘——包天笑《上海春秋》的上海叙事 |
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| 引用本文： | 吴智斌.蜂花蝶影里的海上浮世绘——包天笑《上海春秋》的上海叙事[J].遵义师范学院学报,2007,9(6):25-29. |
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| 作者姓名： | 吴智斌 |
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| 作者单位： | 浙江财经学院,浙江,杭州,310018 |
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| 基金项目： | 浙江财经学院校科研和教改项目 |
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| 摘 要： | 包天笑是晚清文化界一位领头羊式的人物,但学界对其研究甚少,对其文本的关注则可谓无人拓荒。文章以其代表作《上海春秋》为个案,关注包天笑小说的叙事品格和鲜明的上海都市文化特色,从公共空间、近代进程、道德评判三方面论述其对上海的书写。
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| 关 键 词： | 包天笑 《上海春秋》 上海叙事 上海形象 |
| 文章编号： | 10093583（2007）06-0025-05 |
| 收稿时间： | 2007-08-11 |
| 修稿时间： | 2007年8月11日 |
Yamato-e of Shanghai's Diary Life: The Narration of Bao Tianxiao's "Shanghai Spring and Autumn" about Shanghai |
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| WU Zhi-bin.Yamato-e of Shanghai''''s Diary Life: The Narration of Bao Tianxiao''''s "Shanghai Spring and Autumn" about Shanghai[J].Journal of Zunyi Normal College,2007,9(6):25-29. |
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| Authors: | WU Zhi-bin |
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| Abstract: | Bao Tianxiao was a character like a bellwhether in the cultural circle of the Later Qing Dynasty but his works is seldom known or studied by people.Taking his works "Shanghai Spring and Autumn" as research objective the style of narration,the distinct features of the metropolis.Shanghai from public places to the advancing steps of recent times and moral judgement are expounded in this article. |
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| Keywords: | Bao Tianxiao Spring and Autumn in Shanghai narration of Shanghai image of Shanghai |
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