| 明代书风的特点及问题初探 |
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| 引用本文： | 贺观清.明代书风的特点及问题初探[J].湘南学院学报,2006,27(4):82-83,96. |
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| 作者姓名： | 贺观清 |
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| 作者单位： | 湘南学院,美术系,湖南,郴州,423000 |
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| 摘 要： | 中国明代的书法具有较强的地域性及书画结合的倾向,在书法史上独树一帜。就其整体艺术而言,不如前贤,但在书法艺术的形式感和个性化方面却有着突出的成就,表现出时代性与个性的统一,产生了一大批集大成者。但随着帖学书法的盛极而衰,明代书法在掀起最后一波高潮后亦走向没落。明代尤其是明末书法的盛衰,对清代乃至当今书法都不无启迪。
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| 关 键 词： | 明代书法 地域性 帖学 个性 样式 |
| 文章编号： | 1672-8173（2006）04-0082-02 |
| 收稿时间： | 2006-04-18 |
| 修稿时间： | 2006年4月18日 |
A Tentative Study of the Characteristics and Problems of the Calligraphy in the Ming Dynasty |
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| HE Guan-qing.A Tentative Study of the Characteristics and Problems of the Calligraphy in the Ming Dynasty[J].Journal of Xiangnan University,2006,27(4):82-83,96. |
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| Authors: | HE Guan-qing |
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| Abstract: | The Chinese calligraphy in the Ming Dynasty had relatively strong local features and the tendency of combing calligraphy with painting,which made it unique in the history of Chinese calligraphy.From the perspective of the whole art,it was no better than the calligraphy in the previous dynasties.However,it had achieved outstanding accomplishments in the form sense of the calligraphy art and personality,displaying the unity of popularity and personality,producing a number of great calligraphers.As the fashion of learning calligraphy from published printed calligraphy books began to prevail,the calligraphy in the Ming dynasty walked to its downfall. |
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| Keywords: | calligraphy in the Ming dynasty local feature learning calligraphy from published printed calligraphy book personality form |
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