| 20世纪30年代小说艺术形式理论的时代性演进 |
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| 引用本文： | 谢昭新.20世纪30年代小说艺术形式理论的时代性演进[J].安徽师范大学学报(人文社会科学版),2010,38(3):347-353. |
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| 作者姓名： | 谢昭新 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241003 |
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| 基金项目： | 国家社会科学基金项目 |
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| 摘 要： | 1930年代的小说理论和小说创作均出现繁荣的局面,而小说艺术形式理论的时代性演进,又是小说理论成熟与繁荣的重要表现.1930年代小说艺术形式理论的时代性演进主要在三大方面:一是强化了人物典型化理论和人物心理表现的理论;二是对人物与环境关系的探索,强化了小说的环境(背景)理论;三是出现向"故事"的回归,增强了小说的"故事"(情节)理论.
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| 关 键 词： | 1930年代 小说理论 艺术形式 时代演进 |
On Evolution of Novel Theory in 1930s |
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| XIE Zhao-xin.On Evolution of Novel Theory in 1930s[J].Journal of Anhui Normal University(Humanities and Social Sciences),2010,38(3):347-353. |
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| Authors: | XIE Zhao-xin |
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| Institution: | XIE Zhao-xin(School of Chinese Language and Literature,Anhui Normal University,Wuhu Anhui 241003,China) |
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| Abstract: | In the 1930s,the theory and writing of the novel are both in prosperity.The evolution of the novel theory in the 1930s is mainly manifested in three aspects.Firstly,it emphasizs the theories in typical character and the psychological activity.Secondly,it pays attention to the relationship between the character and the environment.Thirdly,it advocates that the novels should return to story. |
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| Keywords: | 1930s novel theory artistic form evolution |
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