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试论中国陶瓷的纹饰与中国书画的关系
引用本文:刘珂.试论中国陶瓷的纹饰与中国书画的关系[J].保山学院学报,2010(3):92-94.
作者姓名:刘珂
作者单位:阿坝师范高等专科学校美术系
摘    要:通过对陶器纹饰的考察,分别列举了彩陶纹饰、原始青瓷纹饰、秦砖汉瓦、唐三彩纹饰、宋代五大名窑的纹饰、元代青花纹饰、明成化年间斗彩纹饰、清雍正粉彩纹饰,这些历史上具有代表性的陶瓷纹饰。将这些纹饰的特点与书画艺术的特征相比较,来揭示原始的陶器纹饰是中国书画艺术的源头之一,探讨在漫长的历史中,当书画成熟后又是怎样反作用于陶瓷纹饰,以书画艺术的审美观念来影响陶瓷纹饰的变化。

关 键 词:陶瓷纹饰  中国画艺术  自然的审美观  纹饰的象征性

Research on the relationship between the Chinese pottery ornamentation and the Chinese Painting and Calligraphy
Liu Ke.Research on the relationship between the Chinese pottery ornamentation and the Chinese Painting and Calligraphy[J].Journal of Baoshan Teachers College,2010(3):92-94.
Authors:Liu Ke
Institution:Liu Ke(Aba Teachers College Department of Fine Arts,Sichuan Pixian 611741)
Abstract:By means of the review of pottery ornamentation,this paper enumerate the Qin Han brick tiles,Tang Dynasty ornamentation,the five famous kilns decorations of the Song Dynasty,the blue and white decoration of Yuan Dynasty,the Big Dipper color decoration in Chenghua years of Ming Dynasty,the Pastel patterns in Yongzheng of Qing Dynasty,which are representative in history.According to compareing the characteristics of the ornamentation to the features of painting and calligraphy,reveal that the ancient pottery decoration is one of the origins of the art of Chinese calligraphy and painting;and demonstrate how the calligraphy and painting react the pottery ornamentation,and how the aesthetics perception of calligraphy and painting affect the variation of the pottery ornamentation after the painting is mature in the long history.
Keywords:Chinese pottery ornamentation  aesthetics of Chinese painting  natural aesthetics perception  symbol of ornamentation
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