| 穆木天前期诗歌创作与诗歌理论的错位 |
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| 引用本文： | 孙旭.穆木天前期诗歌创作与诗歌理论的错位[J].晋城职业技术学院学报,2011,4(6):64-67. |
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| 作者姓名： | 孙旭 |
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| 作者单位： | 南京师范大学文学院,南京,210097 |
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| 摘 要： | 在穆木天的文学生涯中有两次重要的转变：一是从浪漫主义转向象征主义;二是在20世纪30年代初由象征主义走向现实主义。这就造成穆木天诗歌前后迥然不同的艺术风格。然而就穆木天前期的诗歌创作与诗观而言,两者之间存在着某种程度的错位,一方面体现在前者与后者相悖离的差异性;另一方面表现为前者之于后者的一种不和谐节拍。
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| 关 键 词： | 穆木天 诗歌作品 诗歌理论 错位 |
On Dislocation between Mu Mutian's Early Poetry Creation and Poetry Theory |
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| SUN Xu.On Dislocation between Mu Mutian's Early Poetry Creation and Poetry Theory[J].Journal of Jincheng Institute of Technology,2011,4(6):64-67. |
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| Authors: | SUN Xu |
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| Institution: | SUN Xu(Nanjing Normal University Faculty,Nanjing 210097,China) |
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| Abstract: | There were two important changes in Mu mu-tian's literary career.One turned from romanticism to symbolism,and the other was from symbolism to realism.As a result,it formed absolutely different artistic styles in his early and late stages.What's more,when compared his poetry creation with theory,we could find dislocation in some degrees.On the one hand,his poems didn't reflect his theory completely;on the other hand,there was a disharmony rhythm between the former and the latter. |
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| Keywords: | Mu Mu-tian poems poetry theory dislocation |
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