| 左翼革命文学运动性质析论 |
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| 引用本文： | 林伟民.左翼革命文学运动性质析论[J].华东师范大学学报(哲学社会科学版),2000(6). |
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| 作者姓名： | 林伟民 |
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| 作者单位： | 华东师范大学中文系 上海 |
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| 摘 要： | 左翼革命文学运动的崛起,对于中国新文学现代化的进程起到推动作用。但它把运动性质定为“无产阶级文学运动”,则是混淆了中国革命的性质,犯了照搬苏联社会主义革命文学理论的左倾机械论和主观教条主义错误,其后果严重。
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| 关 键 词： | 左翼革命文学运动 性质 合理性 局限性 错误理论根源 |
Defining the Poetic Style of Gong Ti |
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| by GUI Qing.Defining the Poetic Style of Gong Ti[J].Journal of East China Normal University :Philosophy and Social Sciences Edition,2000(6). |
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| Authors: | by GUI Qing |
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| Institution: | by GUI Qing |
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| Abstract: | As a historical concept, the poetry styled Gong Ti was active during the period from the Liang Dynasty to the early Tang. During that period a very attractive phenomenon was the intense increase of amorous poems. The amorous poetry should be regarded as an essential featrue of the Gong Ti poetry. However, the Gong Ti poetry was not the same as the amorous poetry in general since it was indeed a fresh type of the amorous poetry. Accordingly, its definition might be as follows: the Gong Ti poetry was a new type of the amorous poetry that was active from the late Liang Dynasty (when Xiao Gang became a crowned prince and representative figure of that kind of poets) to the early Tang Dynasty. In this way there were three types of amorous poetry: 1) the orthodox Gong Ti poetry which was characterized by depiction, 2) lyric poetry, and 3) the quasi-Gong Ti poetry (folk love poetry) . |
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| Keywords: | the poetry styled Gong Ti definition type |
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