| 家庭物语--对比评析《天堂鸟》与《牵手》 |
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| 引用本文： | 裴艳艳.家庭物语--对比评析《天堂鸟》与《牵手》[J].重庆职业技术学院学报,2005,14(4):86-87. |
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| 作者姓名： | 裴艳艳 |
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| 作者单位： | 河南大学,文学院,河南,开封,475001 |
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| 摘 要： | 《天堂鸟》与《牵手》是出自男女不同性别的当代作家,对比分析两个文本的男女艺术形象,揭示出一个家庭应该建立科学合理家庭观的问题。即摒弃家庭唯我观思想和家庭唯他观思想,充分尊重并体现家庭男女双方的平等主体性。唯如此,才能建立和谐完美的家庭。这需要家庭男女双方都要更新思想,共同努力。
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| 关 键 词： | 女形象 男形象 家庭观 |
| 文章编号： | 1672-0067（2005）04-0086-02 |
| 收稿时间： | 2005-03-06 |
| 修稿时间： | 2005年3月6日 |
On Family--An interpretation of the major characters in "The Paradise Bird" and "Take the Hand" |
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| PEI Yan-yan.On Family--An interpretation of the major characters in "The Paradise Bird" and "Take the Hand"[J].Journal of Chongqing Vocational& Technical Institute,2005,14(4):86-87. |
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| Authors: | PEI Yan-yan |
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| Abstract: | "The Paradise Bird" and "Take the Hand" are written by two contemporary writers of the opposite sex. But a close scrutiny of the two texts shows the theme of the novel: the importance of holding a scientific viewpoint about family. That is, both sides should discard those egoist or altruist ideas in matters of family and grow an attitude of mutual respect to show the equal subjectivity of both sides. Only by doing so can we hope to build a harmonious and happy family, which calls for joint efforts of both the male and female including updating their outdated traditional ideas. |
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| Keywords: | female image male image sense of family |
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