| 对中国古代艺术构思理论的再认识 |
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| 引用本文： | 刘凤兰.对中国古代艺术构思理论的再认识[J].包头职业技术学院学报,2008,9(3). |
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| 作者姓名： | 刘凤兰 |
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| 作者单位： | 包头职业技术学院,社科部,内蒙古,包头,014030 |
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| 摘 要： | 艺术构思是艺术创作中的重要问题,对创作起着至关重要的作用.分析我国古代艺术构思中静虚、神思、感兴和物化等问题,展示出艺术创作构思理论的博大精深,深刻揭示艺术构思过程中的几个关键环节,对指导当今现实中的艺术创作仍具有重大的指导意义.
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| 关 键 词： | 艺术构思 静虚 神思 感兴 物化 |
Reflection of the Chinese Ancient Artistic Conception Theory |
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| Liu Fenglan.Reflection of the Chinese Ancient Artistic Conception Theory[J].Journal of Baotou Vocational & Technical College,2008,9(3). |
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| Authors: | Liu Fenglan |
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| Institution: | Liu Fenglan(Social Science Department,Baotou Vocational & Technical College,Baotou Inner Mongolia 014030) |
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| Abstract: | Artistic conception is important in artistic creation.Analyzing the stillness and emptiness,mental state,sense and materialization in Chinese ancient artistic conception,the paper reveals the broad and profound theory in artistic creation theory,and discovers the key factors in artistic conception which will have great significance in artistic creation. |
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| Keywords: | artistic conception stillness and emptiness mental state sense materialization |
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