| 论《文心雕龙》的诗学方向 |
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| 引用本文： | 彭建华.论《文心雕龙》的诗学方向[J].内蒙古师范大学学报(哲学社会科学版),2007,36(2):78-82. |
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| 作者姓名： | 彭建华 |
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| 作者单位： | 福建师范大学,文学院,福建,福州,350007 |
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| 摘 要： | 《文心雕龙》在佛教影响下形成了以心的观念为基础的主观性的诗学。它以情的观念、性／性灵的观念、气的观念、趣的观念、味的观念、智术的观念改造了原来中国诗学，突出了主体性、心理化的特征，同时把文学作为一种精神现象学的对象。而不是哲学本体论的对象。在原中国诗学的体制下完成了新变。
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| 关 键 词： | 文心雕龙 文笔 智术 性/性灵 趣味 |
| 文章编号： | 1001-7623（2007）02-0078-05 |
| 修稿时间： | 2006-06-15 |
ON THE POETIC ORIENTATION IN THE LITERARY MIND AND THE CARVING OF DRAGONS |
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| PENG Jianhua.ON THE POETIC ORIENTATION IN THE LITERARY MIND AND THE CARVING OF DRAGONS[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2007,36(2):78-82. |
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| Authors: | PENG Jianhua |
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| Institution: | College of Liberal Arts, Fujian Normal University, Fuzhou, Fujian, China, 350007 |
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| Abstract: | The article mainly examines the poetic transformations in the Literary Mind and the Carving of Dragons under the influence of Buddhism,that is,it forms the subjective poetics based on the concept of "heart".The Literary Mind and the Carving of Dragons reforms the former Chinese poetics with the concept of "emotion","natural disposition/spirit","Qi","interest","taste" and"rationality and consciousness",stresses the characteristics of subjectivity and psychology and in the meantime,treats literature as the subject of mental phenomenology but not the subject of philosophical ontology,and thus finishes its transformation under the original poetic system. |
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| Keywords: | style of writing rationality and consciousness natural disposition taste |
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