| 提高钢琴伴奏编配能力的几种理论和技巧对策 |
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| 引用本文： | 马岩峰.提高钢琴伴奏编配能力的几种理论和技巧对策[J].惠州学院学报,2012(1):79-82. |
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| 作者姓名： | 马岩峰 |
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| 作者单位： | 惠州学院音乐系 |
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| 基金项目： | 广东省哲学社会科学规划项目(C508-0103) |
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| 摘 要： | 在歌曲钢琴即兴伴奏的编配中,要以旋律为中心来选择和声,而不是用传统的和声理论生硬地套用旋律从而被动地为旋律配置和声。为歌曲编配和声不同于四部和声的写作,它是织体型的,而不是声部的平稳与线条型。伴奏的和声所产生的听觉色彩必须考虑如何更好地烘托旋律的情绪与艺术表现,因此,伴奏的和声选择与运用有着较大的灵活性。掌握针对伴奏所使用的各种实用型钢琴伴奏理论技巧,对快速提高学生的钢琴即兴伴奏能力起到至关重要的作用。
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| 关 键 词： | 钢琴 伴奏 编配技巧 |
Countermeasures on Theories and Skills in Improving the Ability of Piano Accompaniment Allocation |
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| MA Yan-feng.Countermeasures on Theories and Skills in Improving the Ability of Piano Accompaniment Allocation[J].Journal of Huizhou University,2012(1):79-82. |
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| Authors: | MA Yan-feng |
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| Institution: | MA Yan-feng(Department of Music,Huizhou University,Huizhou 516007,Guangdong China) |
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| Abstract: | In the allocation of accompaniment improvisation to song and piano,the harmony is chosen according to the melody rather than the mechanic application of traditional theory of melody passively.The harmony allocation of song is different from that of writing four part harmony,it is in the textual pattern rather than the pattern of line with smoothness.The audio color from the accompaniment harmony should consider how to characterize the emotion and express the art,so the choice and application of the accompaniment harmony is quite flexible.The theory and skill of practical piano accompaniment improvisation plays an important role in improving the students’ ability of piano accompaniment improvision. |
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| Keywords: | piano accompaniment skill of allocation |
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